2008

Thursday, February 28, 2008

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Sorolla sculpture

Sorolla's sculpture will be restored and the beach
02/28/2008 - REDACCIÓNVALENCIA

The Department of Culture has accepted the proposal of the socialists and technicians will examine the project of restoring the damaged sculpture of Sorolla.

Socialist councilor Juan Soto asked the City Council that the monument is the painter in the English Armada plaza back to the beach, where it originally was and was moved after the flood produced in 1958.

Besides drafting a restoration project, the City will contact the Coastal Authority to consider whether it is possible that the sculpture is located in the sand. "The technicians will determine whether it is feasible and is not harmed by water rising," he said yesterday the Socialist councilor Juan Soto.

If possible, the PSPV proposed that the sculpture is located on the waterfront.

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the Rockefeller Center in New York

A sculpture in the form of water source illuminates the Rockefeller Center in New York
Filed under: culture, events, exhibitions, usa, art
EFE
Updated 27/02/2008 20:22 CET New York .- The British artists Tim Noble and Sue Webster in New York today unveiled the sculpture "Electric Fountain", a light source that will be open in the plaza of Rockefeller Center to the next 5 April.

(EFE) The fountain is lit each day from 06.00 until midnight local time, in the plaza of Rockefeller Center, known for hosting the Christmas tree and the most famous rink in the world.
This work, 10.7 meters by 10.6 meters wide, to imitate the movement of water through a three-dimensional light source, which uses 3,390 bulbs and 527 meters of neon tubing. As explained

Efe artists, first used in his work bulbs LED (light emitting diode) because they represent "the future" in lighting technology, while "not environmentally friendly because they can create an image of high brightness with only 120 power amps. "

The sculpture represents the concept of" public art "of Noble and Webster, which this time were based on pop culture symbols, signs of Las Vegas (Nevada) and the New York Times Square, as well as some historical sources placed in public spaces, like the Roman fountain of Triton.

Sue Webster to this project, two years of preparation and a million dollars of funding, a work "magic" because "the source puts light where it should have water."

addition, to exhibit their work in New York is "almost a dream come reality ", and" a gift to U.S., "said Webster.

" When I came to New York twenty years ago and was not a known artist had to get food from the street, this city taught me a lot, " Webster said.

The power will turn every day from 06.00 until midnight local time, in the plaza of Rockefeller Center (known for hosting the Christmas tree and the most famous rink in the world), which is estimated to be seen by 350,000 people a day.

artists, based in England and influenced the style "punk" are known to use different materials in their work, such as electric lights and garbage and his works have been exhibited in New York, Boston, Manchester and London.

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Fine Arts exhibition dedicated to Antonio Suárez

The Fine Arts exhibition dedicated to Antonio Suárez and architecture

"The work of Antonio Suárez applied to architecture at the Museum of Fine Arts of Asturias" is the exhibition this afternoon at half past seven, will open at the Museum of Fine Arts, the Palace Velarde (Santa Ana Street, No. 1).

9 and March 16, the Fine Arts has organized guided tours of this exhibition, starting at 0:30, and lasting 90 minutes.

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Agurtzane exhibition of paintings by Sololuze

Elgoibar Haizea group presented the program of activities planned for the town to celebrate the International Women's Day. An exhibition of painting, a mountaineer and a session out of focus film-forum acts of the holiday.

Monday, 3 will open the exhibition of paintings by Agurtzane Sololuze. Entitled 'Seina Luze eta', Bilbao artist presents his painting "made of fabrics, curtains or sheets with a large sample of sensitivity." This exhibition will be open until 16 March in the House of Culture Monday to Saturday from 19 to 21 hours.
activity
The second program is organized jointly with Mendizale Morkaiko Elkartea and it is a way out for the day Trebiño 9.

The tour will start at 9.30 and proposes a route between the towns of Saseta and following the river Okina Help. Organizers estimated at three hours the length of the walk. The day will end with a meal at the monastery of Estibaliz guided tour.

The price is 25 euros for members of Morkaiko or Haizea and 30 for nonmembers. Places are limited to 50 people and can register in Pitxintxu or Morkaiko premises.

Acts of International Women's Day will conclude with a video-forum session on March 14 at 22 am in the house of culture. It

screening of the movie 'Gray Matters' and will intervene as introducer and moderator of the debate Eskar Larrinaga psychologist. PAINTING

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the work of Richard Mayhew paints

U.S.: Black Artists listed on the rise
By Lance Steagall
NEW YORK (IPS) - Landscapes are the images that come to mind when recalling the work of Richard Mayhew. The New York-born expressionist attributes this to its roots, in part African and part American.

"It is a dual commitment to nature. The land is very important to both cultures in terms of stimulation and spiritual sensitivity, and is very important to me," he said.

Mayhew's work was exhibited in the Sample Annual National Black Fine Arts.

GR N'Namdi, the oldest abstract art gallery by a black in America, representing the work of Mayhew. In 2003, his painting "Sanctuary" sold for $ 6,000. Now is priced at $ 25,000.

collectors and dealers gathered in mid-February show in New York noted the new and high prices, although many black art even low amounts are achieved.

In fact, the black American art market changes rapidly. The works are sold at higher prices, attracting more attention and becoming an investment many. While the market is booming, those who choose to invest reap the profits, often selling the paintings to a much higher price of your purchase.

"is a function of Afro-American art was ignored for long. Speaking in a relative way, the term has been extremely undervalued," said Melissa Azzi, Lusenhop Gallery in Chicago.

A Azzi likes to attribute the lack of appreciation of the attitudes of traditional art collectors. "The rebellious works tended to be ignored. But now institutions and collectors are a bit more comfortable looking back and noting" he said.

In particular, movements of the 60 and 70 that included political and social commentary into their artistic vision, as the Afri-Cobra, are re-consider. Azzi

cited as an example the portrait done in 1972 by Wadsworth Jarrell, social activist Angela Davis, entitled "Revolutionary." In this picture, Jarrell Davis shows in a moment of impassioned speech, combining socialist slogans to shape the scene.

"Struggle", "resist", "having", "given my heart" and other textual messages radiate from the vanishing point: the head of Davis. The bright colors used on putting "Revolutionary" in its cultural context. The work doubled in price last year, but, valued at $ 2,000, it is still cheap.

changing attitudes are not the only explanation for the changing market. Bill Hodges, owner of the gallery that bears his name in Manhattan, attributes this to "black Americans are able to afford an investment in art."

Hodges collects African-American art for over 30 years. Most of that time, 90 percent of their customers were non-African origin. Currently the numbers are reversed: about 95 percent of his clients are black, he said.

And the new interest is not relegated only to the black art. The Tafa artist, born in Ghana but based in New York Harlem barium is a direct witness to the evolution of attitudes.

"More and more people appreciate black art. I used to be under-represented, but now attracts the attention of both the U.S. and in Europe," he said.

In late January, the London-based Bonhams auction became the first non-South African to organize a sale dedicated exclusively to art from that country.

The art auction grossed more than $ 2.8 million. Irma Stern's works "The tomato pickers" and "Portrait of a girl from West Africa" \u200b\u200breached the highest price: about 371,000 and 275,000 dollars respectively.

Both sale prices were at almost $ 100,000 above its estimated value before the auction. In 2006, Bonhams sold a self-portrait of South African artist Gerard Sekoto - pioneer of urban black art and social realism - in more than $ 245,000, more than nine times its estimated value.

In America, the Modern Art Museum of Los Angeles County opened an exhibition devoted exclusively to African art. The exhibition, titled "Tradition and Innovation", began in January.

While typical displays emphasize the influence that African art had on modern artists who broke with tradition, like the English Pablo Picasso, this exhibition presents African art in its own context. In Sample

National Black Fine Arts, New York, Mark Small, owner of Golden Galleries, in the central U.S. state of Colorado, was quick to point out the participation of young people in the scene.

"Every time I see members of younger generations to recognize African-American artists, through most of their careers, have been largely unknown. It's really great to see that," he said.

Many of the older artists were formed in the city of Chicago. There, two schools pioneering artists gave black Americans the opportunity to study when few others did: the School of the Art Institute of Chicago and the Art Center South Side Community.

Thus, the city became a center, and many significant artists, including Wadsworth Jarrell, studied there for at least a year. The works they produced marked a turning point in the history of black art.

Today, the growing interest in the works of black artists can point to another. (FIN/2008)

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Praileaitz parietal French architect Dominique Perrault

VITORIA.DV. The finding, in August 2006, a series of cave paintings in Praileaitz I completely changed the rating and direction of a cave in which the team led by archaeologist Xabier Peñalver had already made important discoveries, including a spectacular collection of pendants Magdalenian. Praileaitz I, it had not appeared paints cave which guaranteed the highest level of protection would have ceased to exist before the advance of the quarry became the third cavity Guipuzcoa rock art, after Ekain and Altxerri.
The first expert report on the paintings, a series of dots and red lines that are linked to the alleged use of the cave ritual was performed by the doctor in Prehistory Marcos García Díez, which established the antiquity of this group of type so far unheard of in the Basque Country between 15,000 and 20,000 years. Following that first report that established the basic features of the paintings, no evidence has been deepened in the study of them.

The second report yesterday, Miren Azkarate reported that his department had commissioned a study on strokes Praileaitz I to "a specialist in Prehistory at the international level apart from the controversy and, therefore, without prejudices."
The author of that now is the second report paints Praileaitz the British archaeologist Paul Pettitt, Professor of Palaeolithic Archaeology at the University of Sheffield, specialized according to their own presentation, "in the Middle and Upper Paleolithic in Europe and the Middle Stone Age in Africa", with specific interest in lithic technology and rock art and furniture of the Upper Paleolithic period covered by the paintings of Praileaitz I . Pettitt also formed part of the team that discovered in 2003 the only two so far known caves with rock art in the United Kingdom, located in Creswell Crags and also affected by the activity of a quarry. A dedicated analysis, along with Paul Bahn and Professor of Prehistory and Archaeology of the UNED Sergio Ripoll, one of his last works, Paleolithic Cave Art at Creswell Crags in European Context " published in March 2007 by Oxford University Press.
Dr. Pettitt, who visited the cave on Monday and Tuesday of last week, has not yet completed its report, but has already passed his first impressions of the Ministry of Culture. "Please refer to the report of Marcos García-informed and the counselor told us that in 90% subscribed." Pettitt also "supports the importance of Praileaitz paintings in the context of non-figurative rock art ', and interprets it as a sign of" the human will to make its mark. " Traces, indeed, that according to Paul Pettitt measurements correspond to a right hand. One aspect highlighted by the doctor Pettitt, coinciding with the views of Mark Garcia, is the extreme fragility of the media that chose who wanted to leave his mark on Praileaitz I: the flags, a type of geological formation of stalagmites origin particularly vulnerable. Minimum
Paul Pettitt
activity was, in the words of Miren Azkarate, very concerned about the fact that changes in the regime of the cave environment may affect the formations in which there are paintings and cause damage to them. To avoid or reduce the maximum recommended "control the road that runs above the cave and water seepage." Know that the track in question is now closed as result of the implementation of the decree to protect and recover its original cover reassured Pettitt, provided by Miren Azkarate.
also consider that under present conditions "the paintings are so far safe from the quarry activity," Pettitt says that the main enemy is the same man. So, has recommended "minimizing the number of visitors and restrict the maximum human activity", including archaeologists, because "if they continue the excavations in the lobby and the first room, all that is widening the cave can cause air currents that damage to the paintings. " A Pettitt suggestions, a supporter of "international forums disclose the finding of Praileaitz to know what the scientific community" is that "taking into account the impact of the excavations to the granting of permits, evaluating the scientific interest against risk behavior. "

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architect Leon Perrault presented today in the design of future conference

Dominique Perrault. / MAURITIUS PEÑA
SCA

LION .- One of the most anticipated projects for the province of Leon takes a step forward. The renowned French architect Dominique Perrault presented today the final draft of the Congress and Exhibition Ferial de León.
The event takes place at 12.00 am this morning in the auditorium of the Civic Center Leon West, in the neighborhood of Cruise, one of the areas that most benefit the urban transformation that will create the new Palacio de Congresos on the former site of the refinery and the planned burial of the railway.

The event will go to complete the municipal corporation, the architect Dominique Perrault, the government delegate in Castilla y León, Miguel Alejo and various business authorities Leon. Everyone can observe a three-dimensional model showing the construction of future avant-garde building.

After the presentation, Perrault will lecture on the technical explanations used in the development of project-like materials, liaison with the environment or ideas that inspired him for the final design, to which are invited all architects Spain.

Frenchman Perrault was the winner of ideas promoted by the city of León in 2004 for the best architects shape their approaches to future conference. For this work, Perrault will receive 5 million included in the final investment of 60 million euros which will be the venue.

The schedule is shuffled for the start of construction is July 2009, after the project implementation and its bid-and September 1011 is the date for completion.

design consists of two distinct areas, one takes the structure of the old factory which will have 8,500 square meters. This space is covered by a large glass structure that the author himself has baptized under the name 'Crystal Mountain'. The other surface is glass and use the sun to generate electricity and heat. This innovative space includes three exhibition areas equipped each with 3,000 square meters. In addition, two other areas will be installed capacity for 800 spectators each, an exhibition hall and a meeting, workshops and a business incubator. Perrault convert the sugar sector in a benchmark of the Lion of the twenty-first century avant-garde project.

People's Party of the City of Leon is not kept out of this Congress and Exhibition Centre. María José Alonso, PP councilor criticized the presentation today of the future building.

"The government team has the model of the project because they have more" details the mayor. Also, Alonso was questioned about "what has signed the financing agreement the mayor and what time will this project take?".
Alonso
team yesterday accused the government of a certain passivity on their promises, which he described as "clearly election." "The mayor always says 'I'm going to do, I do not do anything,'" concludes the popular councilor. ARCO

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art market in Spain

viewed by your visitors
February 28, 2008 - Thursday

ARTEINFORMADO continues to publish the responses are still coming from various artistic professionals from expressing their views and proposals on the recent fair ARCO. Among them, we collect the directors of two other exhibitions in Madrid, Madrid and DeArte Art.

Answer: Gema Lazcano, director of Art Madrid

Strengths: Spain is the quintessential fair and we should all congratulate ourselves with their success. The better go Arco, the better off the art market in Spain.

Weaknesses: The distribution of stands was chaotic and not justified in any way the absence of various English galleries of unquestionable quality, which are covered by the presence of foreign galleries of very dubious quality.

Proposals: Of course they should concentrate existing fairs around the oldest and largest proposal, which is Arco. For that and for all who wish to ignore the existence of the second fair of contemporary art in Spain (both in number of visitors and number of exhibitors, and of course, by sales), I remember that Art Madrid already exists and is a fair parallel and complementary. This exhibition coincides with Arco, has already held its third edition with 59 English galleries (only 8 less than Arco) and 21 foreign, and is a reality not a project. For 2009 we will continue with a firm commitment to quality, we will be more selective with the proposals of the galleries and create a distinct space for young galleries and another different space, which will showcase the very latest art creation.

answer: Miquel Tugores, director of the gallery Dionís Bennassar (Madrid) and fair
DeArte
Strengths: I could not stand out.

Weaknesses: In essence, the fair is the same as in recent years. I can even add that the few selected English galleries are not very "bright."

Proposals: That the waters back on track and that half of the participating galleries are from Spain. The greatness of Arc is to be the world's most popular show and has developed into one of the best cities to be visited. For the fair, which aims to address over one hundred fifty thousand visitors and lack of economic resources and the tradition that Spain does not have. Perhaps start the beginning of the end of ARCO and that no is good for Spain or the ART.

Answer: Eva Salmeron, artist (a member of mmmm ...)

Strengths: Just spent a couple of hours there. I saw very similar to previous years. I noticed that there was a cycle of performances, but I could not attend any of them. I was surprised the roof of the new halls ... I find interesting some of the parasites that develop parallel to Arco independently. I attended a dinner with people rather curious motley connected with the show ...

Weaknesses: As always: lots of trash.

Proposals: A fair is fair, as its name indicates. I guess it's difficult if you're a fair, be something else.

Answer: Laura Romero, an artist.

Strengths: The strengths were digital, like the Russian artist DOU, or Vanessa Beecroft, the Italian gallery "Rumman. In Brazil I found surprising. An example, Laura Erber, gallery art novembro. English galleries, mostly phenomenal.

Weaknesses: The worst, many works that border on bad taste and provocative. In many cases do not consider it necessary. It's the easy. There are many other ways to get attention.

Proposals: It was the first time q was on Saturday and was too crowded. Impossible to walk. I propose to extend the deadline.

Answer: Antonio Macias, an economist and artist, president of the Elf Foundation Genius.

Strengths: A significant improvement in distribution logistics i spaces.

Weaknesses: Repetition of many artists, including works, which causes a certain boredom, lack of originality and new proposals and / or innovative and imaginative creations.

Proposals: Forget the controversy of English galleries. It should raise a broader and more open and think only of the interests of art, its dissemination and prestige of a English fair.

Answer: Angel Haro, artist.

Strengths: space and communication. Because they have created a social impact than other years. As an event remains at.

Weaknesses: The overflow crowd that has nothing to do with the sector. And the media stands and institutional (Country, ABC, regional governments, foundations, etc ...) and the expulsion of English galleries supposed benefit of internationalization. The presentation in London on the "home" Foster had a pretty tuff leg. Who is Foster to give the nod to ARCO?

Proposals: If it is true that there are problems of space, stands should not admit that they were not galleries. Foundations, public and private institutions and major newspapers that do not have a place in a fair market boasts. It is an anachronism that could operate at first but now it makes no sense. I also think, as Eduardo Arroyo said that the galleries should abandon a show they do not want, but offering assistance to other foreign expenses paid. (Spain puts everything at the touch of grant). Maybe more should be supported to ART MADRID and consolidate it as a good English art fair. exhibits

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Xavier Mascaro

Xavier Mascaro until May 4 iron sculptures in the monastery of Silos
The exhibition, organized by the Museo Reina Sofia, reinterprets some religious symbols

28/02/1908 - C. BELLY
The artist Xavier Mascaro, next to one of eleven sculptures. / PACO EFELas SANTAMARÍA-iron sculptures by Xavier Mascaro abstract spirituality embedded yesterday at the Abbey of Santo Domingo de Silos, where they will be on display until May 4, in a dialogue that reinterprets and updates the symbols of the religious tradition of the tenth century . Once

iron sculptures combined with stone, glass and bronze, and four drawings, included in the sample, number 23, which organizes Since 2000 the Reina Sofia Museum in collaboration with the Abbey and the Chamber of Commerce and Industry of Burgos in that locality and was inaugurated yesterday by those responsible.

"What is established is a dialogue between the once and present of this century with the X, playing with religious references, and placing the sculptures as they put the liturgical elements in these spaces", summed up the artist Born in Paris in 1965 and now lives halfway between New York and Madrid.

"I wanted the materials, scale and placement have a spiritual meaning, abstract but spiritual," stated Mascaro, who stands out from all the pieces on display in the basement of the Abbey cloister titled 'Departure', the iron skeleton of a ship with fabric sails aging. If that ship

exhibition opens in the other 'craft' of religion, the back of the cave has been placed Mascaro, "with every intention", three works in a similar provision that would have an altar in an abbey to highlight your spiritual quest.

The abbot, Dom Clemente Serna, recently arrived from Rome to attend the inauguration, acknowledged during the opening exhibition is "really impressed" and expressed his hope that, after contemplating the public 'is richer "to get there. Time and space

The Reina Sofia Museum director, Manuel Borja-Villel, pointed out on the Abbey that she get together "two very interesting" for a museum of modern art: "a specific time and space" .

"In museums we are accustomed to the isolation of the artwork from the world. The Reina Sofia is a national museum that they go beyond what their own buildings and this is a beautiful place full of history that not only can lose the opportunity to make these statements but should be encouraged " said.

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Builders and architects demanding participation in the urban development plan
way Pastor encourages developers to "come together to compete" in the competition for the work and Noriega calls "the concurrence" of regional technical against media figures "The towers will be built, they are not comparable to those of Oviedo, "says Felgueroso

MARCOS
MORO MODEL. Sanjurjo mayor drew a detail of the scale representation of the project. / CITOULAConstructores and architects Asturian ask to participate on equal opportunities in the urban development of the space released by the burial of the barrier rail between Moreda and wetlands. That put him clear yesterday, each side by side, the president of the promoters Gijón, Manuel Pastor, and the dean of the College of Architects, Angel Noriega. Both were among the guests at the opening of the exhibition in Gijon on the north on the plan of roads that remain open to the public in the Culture Centre Old Institute (CCAI) to 3 April.

Pastor explained that in relation to this project the expectations of local and regional construction sector go through the search for "a partnership approach between Asturian companies allow us to compete and get stronger" in public contest convene North Gijón throughout Spain for the award of lots of soil. The leader of the employers Gijon Asprocon clarified that as an association not directly involved in these joint ventures (UTES), but however if they "encouraged" to regional manufacturers to come together to counter the power of large national firms. Pastor separately noted that there would be no option to compete, and that the procurement process of railway land disposed as a unit "makes access difficult for small businesses."

Gijón Although the North has calculated average values \u200b\u200bof sale for private housing between 2,800 and 4,700 euros per square meter, Pastor reaffirmed its conviction I finally built floors on the ground free of roads "will doubtless be of 6,000 euros the meter." He justified the very need for income from land sales to finance and urban rail operation magna.

President gijoneses promoters also had words of praise for the project that will create a new neighborhood and transform the entrance to Gijón. Referred to him as "the most important of recent years" and praised the proposed solution for connecting two parts of the city that was divided and do well in a modern and very fluffy, fleeing the crowded environment. "

On The Dean of Asturias architects made a point similar, but applied to your professional group. Angel Noriega stated that the projecting unit and aesthetic image of the entire development which supports the plan of roads, with which you disagree, do not assume any obstacle. No problem, he said, so that all architects, especially those in the region, "have a chance of concurrency" in the procurement process for projects of different units that make up.

However, Noriega acknowledged it would be difficult to find the formula for developers who acquire land take "realistic positions" and not succumb to the temptation to hire a media figures 'star system' to search international value to their buildings to the detriment of technical Asturias.

"From the time the plots are disposed to pass into private hands and the panel will start to be complicated and in practice everything depends on the willingness of each builder" he said. For this reason, the dean of the College of Architects of Asturias encouraged to learn from the experience in other cities and to reflect on the advisability of entrusting the architectural work of world-class research with dozens of projects all over the world. Insecurity
business

"There are errors and close enough in time so that everyone has learned something," said Noriega, who in his opinion for the business' insecurity can not assume "distant but leave it to media" complex projects like this you know how start, but just not how. "

Regarding the school he heads, Angel Noriega had an impact on the need to convey the most information about the project to your professional group, so that architects can be presented to potential Asturian calls for tenders in the future. As for the final version of the plan yesterday exposed track demo and information panels in the Old Institute, noted that "maintaining the fundamental lines" that made the project won the international competition of ideas. That, he said, with the exception of an adjustment to the scope and the reduction in height of the towers, which it considers "lost slenderness as part of the democratic citizen participation, although exposure is clear that the team More editor liked his initial approach. "

Meanwhile, the Mayoress of Gijón argued that the five towers planned by Jerónimo Junquera and Zaera-hotel with heights ranging between 27 and 19 storeys, will be "well integrated" in the free zone tract. "They are not comparable with the 'triplets' of Calatrava in Oviedo," he said, "because there Gijón Romanesque cathedral and close, but a very open space with modern buildings and other old west front, in Crespo Sanz."

The councilor said the plan approved on initial pathways, with height adjustments on the towers, "is very measured, very integrated and offers a high permeability with important public spaces for the enjoyment of citizens." Felgueroso

also noted that the urban design of Junquera help generate new center in Gijón and dignify the entrance to the city for Sanz Crespo. "The architecture of the buildings will be rational and aesthetically beautiful", he declared. On the design of the rail station that neighbors said Moreda gain space with passable cover and stressed that the decision to make semi-underground "is taken" and was on the electoral agreement with extending the validity of City Hall.

Cherry Color Paint On Walls

urban development and functional building

The Business Incubator of the House in Plasencia was defined by the architect Félix Garrido Morán-author of the project, along with Luis García Gil, as a modern and functional. And so it once done.

The technical project architects editors have collected the wishes and needs House to create a functional and give a modern image of the institution and the new architecture is done in the city.

a very simple, alternate coatings of glass art materials, including the provision of new technologies to the user. Moreover, given its configuration and orientation, is designed to capture sunlight and save as much energy and maintenance.

The building has two floors and an open basement, which houses the garage and one floor is the advantage behind the difference in elevation to the grade of Dolores Ibarruri.

plants on the ground floor are the general services of the House, reception, boardrooms, training, computer with 15 computers, video projection system, offices and services.

In the second floor are the 15 offices are fully equipped with desk, meeting and computer with web access, which are for one year, extendable to another host-ups. This plant has independent access low torque to allow work 'full time' for entrepreneurs.
Nursery
companies are supervised and supported by the departments of the House to advise on all matters relating to implementation from its constitution to grant information, training and advice to business management.

Wednesday, February 27, 2008

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modern architecture entered the Fine Arts

Antonio Suárez's work applied to architecture enters the
Art Museum and its collections housed in six sketches for the chapel altar and now displays a large mural of 800 kilos

27.02. 08 - Pacha Meray

MURAL. 800 kilos fresh newly refurbished, donated by the family García Morán. / ECEN April as a few weeks ahead TRADE, Antonio Suarez back to the walls of the gallery with an exhibition Cornión pays tribute to his friend and fellow first wanderings paintings, Joaquín Rubio Camin, but soon will have another appointment in Oviedo. El Museo de Bellas Artes de Asturias, which is clearly present in their collections 17 works, including oils, watercolors, drawings and a collection of sketches, which account for part of his career painting, opens its doors again with a sample which opens to the public tomorrow and will remain in the gallery until 13 April.

Its title is 'The work of Antonio Suárez applied to architecture' and that is his main argument. Among the pieces on display are six sketches for altar, donated by the Hospital Central de Asturias. It's the preliminary work stained glass and wood and metal from the former chapel. Antonio Suárez himself bequeathed a sketch of a large mural, which bind the two deposited in the museum by Margarita Vallaure, corresponding to the tapestry of the old cafeteria lost Kopa Club in Oviedo.

But the highlight of the assembly to expose the Asturian painter, who again put in the public eye thanks to the donation of Banco Herrero and Garcia Moran family, is a mural of 800 kilos, made into the second twentieth century, in response to a challenge issued to the painter Ignacio Castelano, architect and friend of Antonio Suarez. It was just the family that made García Morán possible that this fresco had just entered the gallery collections Asturias, which was in October last year.

The exhibition 'The work of Antonio Suárez applied to architecture' will be illustrated with a lecture by art historian Ana Gago. Entitled 'Antonio Suárez, muralist, "which will take place on 12 March (19.30 pm) at the auditorium of the Museum. Remember that

Antonio Suarez, a prominent artist who was revolutionary in the early group El Paso, was from 1955 and for nearly two decades, "one of the most interesting English artists among those who used the artistic techniques used in architecture " and that he did, according to the museum's curator Peláez Carolina Soto, "a particularly significant moment in the quest for integration of the arts."

Chevy With Rockstar Grill

sustainable timber architecture

Cemera Day of wood on sustainable architecture

27/02/2008 JOHN A. FERNANDEZ

Consortium Wood School Board in Encinas Reales (Cemera) has arranged for 6 March, a conference on sustainable architecture in wood. The manager, Maria Teresa Arias, has reported that on this occasion a conference at the fair Chattel to be held next week in Seville. This event will be titled Wood, the ideal material for sustainable architecture and it will engage architects, technicians and specialists in the design of the timber to discuss the possibilities of this material within the concept of architecture that respects the environment.

The conference is organized by the Cemera sector and the company Ilva Polimeri wood and held in the Exhibition and Congress Centre of Seville (Fibes), with several presentations and lectures on the subject.

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Cubism, architecture and music come together in Fine Arts painting full of light

Leisure and Culture Cubism, architecture and music come together in
Cubism Art, architecture and music come together in Fine Arts

Cadiz, Malaga, Granada and Sevilla held the centenary of the movement
Escámez
MC / Cadiz and the initiation of Contemporary Art.

There were two professors that this time shaped the issues, Architecture and cubism, the architect Francisco Peñalosa Izuzquiza Malaga School of Art San Telmo, and Cubism and Music: out of position he developed, for its part, composer and conductor of the Royal Conservatory of Music Victoria Eugenia de Granada, Francisco González Pastor.

Peñalosa during his speech focused on the analysis, similarities and distances between architecture and painting style of Picasso, who in 1907 with his famous painting Les Demoiselles d'Avignon is set as "the foundational point of Cubism" as said Peñalosa.

arts are influenced by the sociocultural context of time and are interrelated. Therefore, the development of Analytical Cubism the first step towards the posterior Synthetic Cubism is sometimes reflected in architectural works in the deconstruction and minimalist movements of the twentieth century.

Francisco González musician toured through occasional and multiple connections out of position that occurred between two very different arts in the cubist period, such as painting and music. In this sense, the paintings of Picasso and other artists of the movement "use music in form and not by sound, "said Gonzalez. guitar, violin and flute star in pictures such as The Old Guitarist and The joy of living." Picasso Musical Instrument introduces only cheerful pictures, "he said.

The next conference will be held this program March 5 at the Royal Academy of Fine Arts in Granada.

full of bright paint

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San Romualdo

born by the sea of \u200b\u200bMálaga

JGH 02/27/2008
said of him in 1993 that "honoring those who are still searching for the light, Manolo Strong is a consensus with it. The pint without notice. The paint just so she does not know that." The recalled poet Gloria Fuertes wrote: "His pictures have light outside, Manolo Fuertes has light inside. Fuertes Manolo always has a smile your smile, made with love as his paintings."

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history, painting and literature focus the San Romualdo activities for this year
War of Independence, the death of Juan Ramón Jiménez and May 68 will be the main
But from May 6, which is scheduled conference and Angel Luis Torres Martínez Montiel Aleu on painting related to the War of Independence, not open the program of commemorative activities. Also in the month of May, but the date has yet to be determined, the Academy will be attended by the head of the area of \u200b\u200beighteenth-century painting and Goya in the Prado Museum, Manuela Mena.

The act of poetic statement which will be held on June 3, on the other hand, will dedicated to Juan Ramón Jiménez and these days are also expected to offer a talk on his foundation's founder, Juan Cobos Wilkins.

The novelty of this event which will announce the verdict of the 34th annual award will be accompanied Zuazo Bridge on 17 June of the course closing concert by the trio Consonanza. Other events for which dates have been fixed are the archbishop of Seville conference, Archbishop Carlos Amigo Vallejo, 15 April, and the speech of the Academy of José María Cano Valero, 22 March.

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Painting Competition

Painting Competition organized by Bizirik Deusto (Bilbao) 'Palm Sunday, Sunday rowing '

26/02/1908 Topic:' The Race Engineers - Deusto be the reason for the Painting Competition organized by DEUSTO BIZIRIK, trade association that has joined this year 2008, the large cast of entities that contribute to promotion and dissemination of this unique sporting challenge between the School of Engineering of Bilbao and the University of Deusto, which has become a symbol of Bilbao and the regeneration of its estuary.

IRUÑA In the historic CAFE, which is permanently exposed the Silver Plate of the Regatta, and in the presence of Miguel Uriarte "Buso," manager PRIDE (Club Promoter of the Race Engineers - Deusto) and Marino Montero, his communications director, the president of DEUSTO BIZIRIK, Julia Diéguez signed the cooperation agreement by the trade association that is committed to organizing an Exhibition of Painting Outdoors with which contribute to record impressive graphical environment which is recorded in the vicinity of Deusto Bridge to witness the opening of the Race to the passage of Engineers - Deusto, the only day of the year, the classic "Palm Sunday, Sunday of rowing" (this year, 2008 corresponds to 16 March) now opens the drawbridge, to the admiration of visitors and their own citizens of Bilbao.

Registration at the Exhibition of Painting and sealing of the paintings or prints for, will take place from 10:00 to 11:00 am on the "Palm Sunday, Sunday rowing" -16 March 2008 - in a tent in Botica Vieja Park, which will deliver the completed works for two in the afternoon. Free technique. And participants will be eligible for an award category, consisting of a trophy and vouchers worth 50 € for 5 to 8 years, another 50 € for 9 to 13, 75 € for the 14 to 17 and 300 € for those over 18 years

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MADRID.-a traveling exhibit on 400 works featured in children's literature in 2007 to the youngest readers
Europa Press - Tuesday, February 26, 15.11ALCALÁ de Henares, 26 (EUROPA PRESS) - A traveling exhibition, the 'XXIII Book Displays Children and Teenagers', travel libraries and reading centers of 101 municipalities in Madrid to bring young readers the most important books in various genres published during 2007.

The exhibition, which was filed today in Alcalá de Henares by the Deputy Minister of Culture and Tourism, Concha Guerra, has this year with three identical collections, consisting of 405 works from 79 publishers from picture books, comics, information books, books- game and those of the classical genres of fiction, poetry and drama.

also exposed titles are grouped into five different sections, taking into account the ages at which they are intended: books for pre-readers, for age groups from 6 years, from age 9, from 12 years and the young audiences. While
The selection aims to make new readers and retain those already are. For this we have extended the selection to books that are perhaps less ambitious, literally speaking, but give little room for public started to begin to have the reading habit.

The three collections simultaneously run through 101 municipalities in the region through three different routes: 28 in the East, 41 of the North and 32 in the west of the territorial demarcation of Madrid.

for parents to know what they are reading their children, the Ministry of Culture and Tourism has published a catalog of books set in a bibliographic guide, enriched with commentary on works that provide an approximation content and physical characteristics of the document. The reviews of the titles in the exhibition have the function not only offer a short summary of the work, but also indicates its strengths and, sometimes, their weaknesses in order to offer arguments in the evaluation of the works.

addition, municipalities with fewer than 20,000 inhabitants, the Ministry will organize activities to promote reading during the days that each municipality hosting the shows. ILLUSTRATIONS AND FANTASY

With respect to types of publications, the picture of child and adolescent edition in 2007 has not experienced major changes from previous years, but highlights the presence of picture books to support par excellence where publishers dare with complex histories, not directed exclusively to early readers, and illustrated a novel way to interest to young people and adults.

The illustration, which has come back strongly in advertisements in both written and audiovisual media, has been incorporated into the text field for young people and language becomes important as narrative and not merely accompanying text.

Fantastic literature, in turn, has not been a fad and reaffirms its presence in the books for the age of 9 years on, where the influence of media (television series and video games) is felt in the themes and narrative modes.

also include reissues of classic works and the development of translations of titles by unknown authors of the 50's, that discovered the record many of the fantasy works of recent years.

Moreover, the biographies of famous people (scientists, writers and politicians) have multiplied. This year we have focused on Darwin and the Year of Science 2007.

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children's literature Juan Goytisolo, Fairs and Biennials

"In the literature, currently confused modernity
VILLENA MIGUEL ANGEL - Madrid - 27/02/2008

On one occasion, a English tourist Marrakech lost half went to Juan Goytisolo, thought he recognized and asked for a street address. The Morocco-based writer reacted quickly and said: "Yes, I am so", and gave the name of a famous and best-selling English author. Then, Goytisolo guided the confused traveler, he left convinced of the invented identity of his interlocutor. Goytisolo uses this anecdote to highlight that you want to be invisible in a literary world where "is now confused with modern or talent with the visibility." For the author of In the Taifa kingdoms, "the editorial now aspire only to post sales champions and do not distinguish between an editorial product and a literary text. "

" I always wanted to write novels with questions and answers not to "
Born in Barcelona in 1931, exiled in Paris from 1956, Marrakesh resident for many years, Goytisolo has become one of the most unique and independent voices of English narrative scene. While no longer travel to work in newspapers and magazines, the writer is concentrated in recent times in his works published by Galaxia Gutenberg Full-Circle Readers. Yesterday in Madrid presented the fourth and fifth volumes, including autobiography and travel the Islamic world, as well as the later novels.

"Since the publication of these works," he says, "With the invaluable help of editor Antoni Munné, I could look coldly and objectively long texts. Thus, in novels such as Don Julian just have not touched nothing and, in contrast, have cut many passages Carajicomedia. This issue has allowed me to see what does not work over the years. " Goytisolo states that has tried to capture a different literary proposal with each novel, regardless of subject. "The issue in my narrative," he says, "is only one ingredient in the creative set. I've never been a particular writer concerned about the issues. Anyway, I fully assume all I have published since Signs of identity and my intention has always been to write novels and not to answer questions because the answers and give all the world. Is appropriate to ask, without falling into political correctness, on public and private. "

Goytisolo is convinced that it can be a great writer and a despicable villain in the same way that you can be a beautiful person and a mediocre author. "Cases like Quevedo and Céline show that can be misogynist and racist, like the first, or anti-Semitic and pro-Nazi, as the second, and create a formidable literary work." However, Goytisolo focused its ethical commitment in favor of the weak in the trial and journalism. "Now, in the novels I have only been interested in the literary elements," he adds.

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ARTEINFORMADO Survey: ARCO should have more fairs around
February 27, 2008 - Wednesday

ARTEINFORMADO A new survey aims to investigate the opinion that industry professionals have, after a few days of its conclusion on the Recent ARCO, which this year has generated, if anything, more controversial than others. The responses of our readers are brought out hits (ARCO40 proposals, the presentation in London, the country selection guest, ...) and errors (the distribution of spaces Hall 14.1, no major galleries English vs international galleries repeat expendable) and proposals (ARCO should have more shows around.) These are the first views we receive.

Answer: Gilfer, artist.
Weaknesses: The worst, in fact, the distribution of spaces in Hall 14.1. All too tight and the bad organization of the Expanded Program Box.

Proposals: Give more space for all the proposals in Hall 14.1. In Halls 12 and 14 could still be on some galleries, with speeches and seen too little artistic interest.

Answer: Agustín Medina, president of the Foundation DeArte comtemporary.

Strengths: As the great fair that is consolidated ARCO art, I think their strengths, again, were the great media coverage and the massive influx public, professional and particular, especially highlighting the success of its international in London by the hand of Norman Foster. Also noteworthy in the new location IFEMA pavilions, which reinforce its identity and power. As for the art displayed believe that their proposals have generally fallen short of what is expected in a fair of this kind, emphasizing to me the high quality of some international galleries, out of which constituted the core (English and Brazil) of the fair.

Weaknesses: The location of some spaces on the second floor of one of the pavilions, which have gone unnoticed by most visitors due to poor marking of the plant.

Proposals: I think the debate about the limitation of English galleries are starting to be pathetic. ARC is an international fair that sells the image of Spain in the world and I think the quality of art displayed must be the sole objective of its organizers. In any fair in the world, and collectors, and visitors are concerned that the galleries present whether or not the country where the fair. All that matters is the creative power that is exhibited there. It is high time that the English gallery ARCO stop thinking about where to get a bargain shoppers institutional captives and care about improving their level, regardless of presence or absence in ARCO.

In Spain it takes many other fairs that cover the market gaps left by ARCO. As ESTAMPA, for example, where people can start walking in the world of art through his graphic work, or as our DeArte Fair, where we try to cover the spectrum of contemporary English art, English artists and galleries with original painting A step beyond ESTAMPA, both intellectually and financially affordable, to encourage the collecting of the middle classes.

All these fairs that complement the artistic landscape of our country, can and must live with ARCO, agree with her on the same dates and thus make Madrid a world leader in contemporary art, as is the case with the great museums that are strengthened around the Museo del Prado.

Answer: Immaculate Juarez, artist.

Strengths: Interesting the country invited, but expected more. A staging accessible spaces better prepared for current video, a security that is acceptable to enter (not say the same on the inside), excellent photographic and sculpture (though limited), originality, extraordinary items or large format in miniature artists. I loved emblematic English galleries and a few, left high the flag.

Weaknesses: Lack of project performance and impressive facilities. Language a challenge to overcome (yeah, we're in Spain, not bad considering the Castilian in the stands), works repeated (some three years ago that we see and is a pioneering art fair), I missed a national galleries (more than one, two or three), almost no space for the rest (7 hours of continuous walking can be exhausting), the area was somewhat surreal magazines, many stands completely empty and some unattended , the spaces were the most colorful (or huge, minimalist or variegated and tiny) new galleries that I did not contribute anything (but nothing at all) and galleries where gas fell by the (a penalty). Finally! for that they are new editions, to make amends!

Proposals: The correction of the defects, deficiencies, needs or errors in this edition. And if ARC can not accept into its ranks more English galleries, you have two options: either expand or create a parallel ARCO, which gives life to the most prestigious national salons. English fair must not close its doors to the English, the benefit of the international movement. Growing up is not about to put out another. Growth is GROW.

answer: Toni Pont, director of the gallery Trama (Madrid).

Strengths: The selection of galleries, it rewards those who bet on contemporary art and new trends, and new exhibition spaces for its comprehensiveness.

Weaknesses: The access to the various trade fairs, and labyrinthine, and excess foreign galleries that do not add anything new or fair quality.

Proposals: A better deal and space for young galleries.

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mural painting

Caja Badajoz, initiated by the City Council, the recovery of the mural of the Holy Trinity (Old Church of Arrabal)

 The paintings, the restoration and consolidation exceed 20,000 euros, was discovered in the recent revaluation of the temple

 The Church of the Holy Trinity was founded in S. XII by a knight of the Order of S. John of Jerusalem and is mentioned in the items of Alfonso X "one of the most famous shrines of Christianity"

Social Work Caja Badajoz meet, at the initiative of the City of Salamanca, the recovery of the mural painting of the Holy Trinity (Old Church of Arrabal), which was discovered in the recent revaluation of the temple attack by the Session in their agreement with the Diocese which, in turn, the municipal institution obtained the cession of the new church of the suburb in which they placed an art museum dedicated to the Passion.
This was agreed today on his visit to the temple the mayor, Julian Lanzarote, with the director of the northern part of Caja Badajoz, Domingo Mateo Sanchez, whose bank will pay for the recovery of the mural and consolidation in an amount approximately 20,000 euros.
The Church of the Holy Trinity was founded in S. XII by a knight of the Order of S. John of Jerusalem and is mentioned in the items of Alfonso X "one of the most famous shrines of Christianity." One of the first news we have the temple is due to the donation in 1626 made D. Nicholas to the Cabildo of Santa Maria in an orchard that bordered on the Church and the stream of Zurg. Two centuries earlier, particularly in 1408, was occupied by religious Trinitarians and also served as a Dominican and walled room. This church, which originally is Romanesque, stone, masonry and brick, is also one of the few buildings that survived after the flood of S. Polycarp in 1626. Finding

restoration in the City Council undertook during the last term in the Church of the Holy Trinity was discovered painting by breaking away from the lime still remains half-hidden. This mural is located in the wall of the Gospel of the Church, especially decorating the bottom of an arc of three meters high by 1.80 wide.
The historical explanation for the finding goes back to the seventeenth and eighteenth centuries when the murals in many of the churches were whitewashed. This practice responded mainly to the order of the Council of Trent, who advised to delete any item that would divert the attention of the faithful of the central point of the altar. Was also a method as hygienic as home to solve the problem of the plague. Despite being buried under lime, many wall paintings were saved because the vast majority of those stored in the light were eliminated by failing to comply with a decorative or religious-didactic time.
As for the technical execution of a painting is applied on a dry plaster, though dampened the night before executing the painting with lime. The colors are mixed with this water or lime; technique actually simpler and less complicated than the cool, although it becomes less solid.

intervention
The work is now half hidden by a layer of lime, while noting that, probably, there are several layers of polychromy, as should be determined in future stratigraphic analysis. The main objective of the intervention that bear Caja Badajoz will retrieve the unit potential and original aesthetic quality of the work, without obscuring the avatars through the passage of time have affected her. Of priority, shall address the conservation of the same safeguarding its deterioration.
In the restoration work is precedence reversibility and differentiation of the original materials and additives. Components are to be elected, being compatible with the primitive, are different in nature. In the case of chromatic reintegration gaps polychrome readable by choosing a method, such as Italian or ink rigattino that integrate visually neutral, and as a watercolor technique is used with the reversibility and stability. The other premise
restoration will guide the work towards long-term conservation of the mural, which also involve minimal intervention on a regular basis to ensure its maintenance.

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The Institut Valencià d'Art Modern (IVAM) Iron Maiden

Europa Press - Tuesday, February 26, 16.20VALENCIA, 26 (EUROPA PRESS) - The Institut Valencià d'Art Modern (IVAM) open Today the exhibition 'Ingestum-fluids' in which the director and video artist Bigas Luna makes the museum into a creative laboratory in which to experience, through the basic human fluids such as blood, water and milk, a return to the land and the origins, said today at a press conference the author.

Attending a dinner in which Bigas Luna will serve as host, to measure the rate at which blood leaves the heart and assist the process of crystallization of water are some of the proposals that visitors can enjoy the show, which can be seen in different areas of the IVAM until 4 May.

The selection of this unique tour, sponsored by the Group Roig, begins in the courtyard of the museum, where it has installed a large "grill" altar "on which this evening for the opening of the exhibition will roast" potatoes and sausages Valencia green, accompanied by a bio also came, "said the director. Furthermore, on the facade of the three videos will be screened 'Courbet Sources', representing the origin of life.

already in the hall, has enabled the table 'Ingestum' and shown the video 'necklace of flies. " Beside, there is a facility dedicated to water and Japanese artist Masaru Emoto in which defends the thesis that This item has a conscience. In this piece, you can see the water crystals that characterize the work of the operator of Japan and is projected onto the body of the spectators.
The exhibition schedule continues with a section devoted to the blood. Thus, in the Gallery 8 has installed a maze called 'The Milky Way "which offers videos made by Bigas Luna to Career on breastfeeding and lactation. 'Allatatrice', 'sucker Molar', 'Virgin Lactatio' and 'Source Lumière' are some of the pieces selected. The tour culminates with the three-screen video installation 'Gaudir Nouvelle' in which the architect Jean Nouvel exercises for the first time as an actor.

The project is conceived as a 'work in progress "or" seed project ", in the words of Bigas Luna, it is not a finished work. One example is that the statement contains a table that is responsible for gradually saw people linked to the author or the project as Jean Nouvel "and Javier Bardem, who have to propose to come because now everyone is calling me" he joked.

The catalog published for the exhibition aims to be also a book of ideas leading to new thinking on the subject and the director moved his intention to shoot a movie soon to be called 'De Leonardo Da Vinci with Ferran Adrià through Gordon Matta-Clark ', which analyzes "how these three artists have approached the world of gastronomy."

RETURN TO EARTH

Bigas Luna said that at this point in his career round the earth is something very important that my life has improved. " "It's like Yin and Yan because I'm still a big supporter and fan of new technologies," he said. Therefore, considered that the desire to return to the land was already "intuitively" in one of his films as "Ham, ham 'or' Golden Balls'.

The curator, the Uruguayan critic Angel Kalenberg, Bigas Luna framed across a "stock" of filmmakers who have made inroads into the world of art, as Hichtcock or Peter Greenaway, but stressed that the Catalan "offers a new element, such as the ecology."

For its part, the director of the IVAM, Consuelo Ciscar, Bigas Luna said that "nature is the place of enjoyment, the area where the man, in humble contemplation, develops its capacity feeling ".

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Iron Maiden

gives the" greatest concert "in the history of Costa Rica
The British band Iron Maiden will perform this Tuesday night before about 25,000 fans Costa Rican and Central American cram promising Ricardo Saprissa Stadium, north of the capital, the "biggest concert" to remind the country.

A fleet of seven buses will bring the Salvadorans and other similar fans come from Honduras, traveling a thousand miles to enjoy a few hours of kings of heavy metal.

But not only members of Iron Maiden singing, so will their fans, who are prepared to sing the Happy Birthday to guitarist Adrian Smith, who turns 51 on Wednesday 27, the newspaper La Nación, which has followed step by step the preparations for the concert.
"We had some cold nights and early mornings," but no matter. We entertain with his guitar playing songs from Maiden, "he told The Nation Marcel Rojas, a 17 years.

"It is the largest concert ever filed in Costa Rica, said last weekend the band's lead singer Bruce Dickinson at The Nation, during a press conference in the capital offered Mexican.

The opening act of the concert in San Jose is the daughter of bassist Steve Harris, Lauren Harris.

"The decision to include on the tour was mine. I consulted with the band and agreed," Harris said during the press conference.

Dickinson also announced that the British band, which travels in his own Boeing 757 piloted by his multi-faceted singer-record a new album. "But we're still not sure when this will happen. First we must end this tour, preparing new songs and then start thinking about the new album," he said.

"We enthusiastically. It will be great. You can be sure we're going to great expectations, "said musician Maiden.

Meanwhile, Harris said they have" been very good about this place and we know that many people are traveling to be there. We enthusiastically to deliver a great show.

Iron Maiden began last month in Mumbai (India) tour 'Somewhere Back in Time World Tour 2008' which has taken him to Australia, Japan, Los Angeles and Mexico. After occur in Costa Rica will visit South America-Brazil, Argentina, Chile and Colombia, then move back to U.S. cities, Puerto Rico and Canada in June and July and will tour a dozen European countries.

The tour coincides with the DVD release of the legendary 'Live After Death', for many experts the best record in the history of heavy metal, live album and video released in 1985 on the tour the band performed in that year the presentation of the album 'Powerslave'.

Iron Maiden, whose first album was released in 1979, with the band Judas Priest's flagship NWBHM (New Wave of British Heavy Metal, for its acronym in English) and has published 18 albums, 14 and four in vivo study.

is currently composed of singer Bruce Dickinson, bassist and founder Steve Harris, guitarists Adrian Smith, Dave Murray and Jannick Gers and drummer Nicko McBrain.

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Tàpies exhibited in London

's last Tàpies exhibited in London Waddington Galleries
shows the recent work of Catalan artist

WADDINGTON GALLERIES
11 Cork Street London (United Kingdom)
Sixteen paintings representing the latest work of Antoni Tàpies and willing in order of size from the small wooden panel to the monumental vermell Oval Country d 'Avatamsaka, make this exhibition we can see in the Waddington Galleries in London until 29 March.
The show aims to demonstrate the influence of the wall, as a concept and image, in the work of Tàpies; whose last name translated in Catalan, also a wall. Since the mid-fifties in Paris discovered the photographs of graffiti-covered walls by Brassai, they have become, for the painter from Barcelona, \u200b\u200ba symbol of spiritual loneliness or political repression, the passage of time or inward contemplation, acquiring deeper meanings. Tàpies strokes that prints of his works often resemble graffiti lining the walls of our cities in the West or Eastern calligraphy. The black T capitalized recurrently used also has many connotations: to be beyond his initial name and first name of his first wife (Teresa), can act as a pictorial symbol of the cross, mathematical or geographical sign, referring to a kiss, a sign of faith, repentance in writing, or the particular alphabet used Blanquerna Ramon Llull.

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San Roque my painting

Algeciras EuropaSur Campo de Gibraltar San Roque deserves the best of my painting "
" San Roque deserves the best of my painting "

PintorNació in San Roque, lived in La Linea and now lives in Algeciras. The Campo de Gibraltar marks his work apart from having done with his life and the region is also where exhibits regularly
DJesus
Gil Barroso is one of those people marked by the Campo de Gibraltar. Born in San Roque, has spent much of his life on the line, where he married and had children, and for about four years living in Algeciras in Rinconcillo area. Jesus paints and even his work is appreciated influence in the region. Without going further concludes tomorrow exhibition at the Palace of the Governors San Roque in which abundant marine related to the Bay of Algeciras, reflected from different places, such as Linea coast, the river mouth and the aforementioned Palmones Rinconcillo Beach . "I've made the selection with great affection and San Roque deserves the best of my painting," he says.