Wednesday, February 27, 2008

Ewa Sonnet & Ines Cudna - Got Milk?

modern architecture entered the Fine Arts



Antonio Suárez's work applied to architecture enters the
Art Museum and its collections housed in six sketches for the chapel altar and now displays a large mural of 800 kilos

27.02. 08 - Pacha Meray

MURAL. 800 kilos fresh newly refurbished, donated by the family García Morán. / ECEN April as a few weeks ahead TRADE, Antonio Suarez back to the walls of the gallery with an exhibition Cornión pays tribute to his friend and fellow first wanderings paintings, Joaquín Rubio Camin, but soon will have another appointment in Oviedo. El Museo de Bellas Artes de Asturias, which is clearly present in their collections 17 works, including oils, watercolors, drawings and a collection of sketches, which account for part of his career painting, opens its doors again with a sample which opens to the public tomorrow and will remain in the gallery until 13 April.

Its title is 'The work of Antonio Suárez applied to architecture' and that is his main argument. Among the pieces on display are six sketches for altar, donated by the Hospital Central de Asturias. It's the preliminary work stained glass and wood and metal from the former chapel. Antonio Suárez himself bequeathed a sketch of a large mural, which bind the two deposited in the museum by Margarita Vallaure, corresponding to the tapestry of the old cafeteria lost Kopa Club in Oviedo.

But the highlight of the assembly to expose the Asturian painter, who again put in the public eye thanks to the donation of Banco Herrero and Garcia Moran family, is a mural of 800 kilos, made into the second twentieth century, in response to a challenge issued to the painter Ignacio Castelano, architect and friend of Antonio Suarez. It was just the family that made García Morán possible that this fresco had just entered the gallery collections Asturias, which was in October last year.

The exhibition 'The work of Antonio Suárez applied to architecture' will be illustrated with a lecture by art historian Ana Gago. Entitled 'Antonio Suárez, muralist, "which will take place on 12 March (19.30 pm) at the auditorium of the Museum. Remember that

Antonio Suarez, a prominent artist who was revolutionary in the early group El Paso, was from 1955 and for nearly two decades, "one of the most interesting English artists among those who used the artistic techniques used in architecture " and that he did, according to the museum's curator Peláez Carolina Soto, "a particularly significant moment in the quest for integration of the arts."

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